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The vision has always been clear for Feid, even through the Oakley shades he’s rarely seen without. Standing poolside at a secluded estate in Miami Shores, the 33-year-old international reggaeton sensation effortlessly mogs the camera. He moves through a series of subtle, cool-guy poses: a head tilt, the cross of an arm. A succulent-green towel is draped over his shoulders, and there’s a pair of custom Salomon XT-Pathway 2 sneakers, the first shoe he’s ever creative-directed, on his feet. Feid is someone who has “it” — a quality that’s indescribable but can be summed up in the way everyone on set stops to watch him make minor tweaks in his stance. He isn’t just comfortable in the moment; he is the moment. And you get the sense that this is how he’s imagined it. 

From his early days in Medellín, Colombia, there was a quiet knowing that this — call it transformative influence or viral impact — would be the outcome. “He’s always been hungry for his dream,” says Molo, one of Feid’s assistants and a longtime friend. “It’s difficult to imagine things turning out any other way.” 

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Over the past half-decade, Feid — Ferxxo to those who follow him most closely — has exploded into a worldwide phenomenon. He’s a Latin Grammy winner and saw his album Ferxxocalipsis contend for Best Música Urbana Album at last year’s Grammy Awards. Shortly after wrapping on set, he jetted off to Mexico City to host a record-setting installment of his pop-up coffee party series, bringing out more than 50,000 diehards to Plaza de Toros. He has his own Pantone shade to enhance his singular aesthetic — complimenting the iconic mustache, gold tooth, and aforementioned sunglasses.

Even with an extended list of accolades, Feid tries to stay close to the ground. “I’m always trying to be real with people,” he says. “I want to connect in the most authentic way possible.” That desire shines through as we sit shoulder to shoulder on a plush couch, chatting about everything from his career aspirations to the anime he watched growing up (“Dragon Ball was my first love, man”).

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Suit and shirt his own, hat STONE ISLAND

Whether through his music, or his signature graffiti tag of a grinning cartoon devil, or the subtle callouts he uses to show his fans he’s thinking of them — during the shoot he turned a belt into an “X,” a gesture to his Ferxxo alter ego — Feid finds ways to pull people deeper into his world. 

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Six months before our conversation, a friend happened to mention Feid to me on a casual night out in New York City, calling him the “king of Colombian music.” If I were going to listen to anyone from the region, she told me, it should be him. When I tell Feid this to his face, he grins. “I’ve always been about preserving the legacy of reggaeton and reflecting my heritage,” he says. “That’s a moment when you feel like you’re doing things right.” 

Born Salomón Villada Hoyos, Feid grew up listening to reggaeton greats like Daddy Yankee, mixed with American hip-hop artists such as G-Unit, Wu-Tang Clan, and T-Pain. His dad and sister are both artists, and Feid’s parents encouraged his artistic leanings from an early age, he said. At 15, some of Feid’s high-school classmates asked him to perform on behalf of their campaigns for student government. Seeing the way the crowd responded to him shook something loose. “I was really excited seeing other people get excited by me performing,” he says. “I think that was the fuel.”

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Top and pants SKY HIGH FARM, sunglasses OAKLEY, hat STONE ISLAND

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Plus, he seemed like a good luck charm. “I’d perform for them,” he says, “and they win.” 

Still, he didn’t see music-making as a career at first. He enrolled at a university, but it was his parents who pushed him in a different direction. “They told me, ‘We don’t want you to do college and music at the same time. You have to focus on one.’” He picked college, and they said, ‘We know you don’t want to do that. You want to be a reggaeton artist. So go straight for that.” 

“Originally, I was trying to think about something that would make them happy,” he says. “They told me to go the music route instead because they knew that’s what would fulfill me.”

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hat NANAMICA

He started songwriting more seriously, at first for himself, and then for fellow Colombian artist Shako after a chance meeting, he told Billboard. He wrote the song “Secretos” for Reykon, but it was J. Balvin’s 2015 smash “Ginza” that cemented him as one of the genre’s most in-demand collaborators. At the same time, he continued to write for his own catalog, experimenting with themes such as love and heartbreak that would become his calling card. “Love is such an intense feeling,” he says. “It’s what guides what I do, it’s what I want to be surrounded by, it’s what motivates me.” 

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Feid differentiates himself in the intimacy of his lyrics. “Te decía ‘mi reina’ / Te temblaban las piernas,” he sings on “Luna.” “Contigo las noches, no, no eran pa dormir.” The words are familiar but filled with a modern angst — a lovelorn troubadour for a new generation. Moreover, a troubadour who stayed true to the language of the community he came from, incorporating words such as “chorro” and “chimbita” and “parche.” Andres Florez, Feid’s barber, remembers him passing out demo tapes at the shop in the days before his big break. “It was the beauty and the vision of what he was saying that really grabbed my attention,” Florez says. “He spoke our Medellín slang; it was like our friend had the power to talk for all of us.”

As a solo artist, Feid broke out with 2017’s “Que Raro,” a track that featured Balvin and landed him on the Billboard charts for the first time. “I value that moment Balvin gave me,” Feid told Billboard in 2023. “There are still some people who tell me that they followed me or discovered me with ‘Que Raro.’” Three years later, the song “Porfa” became a TikTok earworm — one of the most popular lip-sync and dance tracks of the lockdown era. “This supermodel from Spain posted a video singing my song, and it went super viral,” Feid says. “And then the stream goes up, and my career went super, like Bitcoin, boom!” 

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Pants COLBO, hat BASKETCASE GALLERY

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Through it all, Feid curated an image rooted in vulnerability. That’s in part what led to the creation of El Ferxxo, the artist’s more sensitive and relatable alter ego — one that has taken on a life of its own. “As a man, I have feelings too, and I go through all kinds of things,” Feid says. “I miss this girl, or I’m feeling good today, or I just woke up and ate some eggs with arepa. Ferxxo is my way of calling out to everyone and letting them know I’m human. It’s a different way to do art, but it’s always me being me.” While the context of his problems may look a little different these days, the emotional gravitas still resonates.

Today, Feid’s profile continues to expand, transcending cultural and linguistic borders. He recently put out a remix with Japanese rapper Yuki Chiba — “Omote II (Remix)” — and was the first Latin artist to curate a stage at Summer Sonic music festival in Tokyo. For all the attention and energy surrounding him, there’s a charming levity about the Latin superstar. As he unboxes the shoes he’s made with Salomon, he marvels at the two-toned fluorescence and the easter egg details: custom charms on the Quicklace™ system, a woven “FXXOMOR” label, and a hand-drawn cartoon on the tongue. “I like that it glows in the dark, and that the charms represent some of the characters in the universe we have created. We made sure to really make this shoe stand out,” he adds, a grin spreading across his face. Not because any of this was unexpected, but because he’s witnessing his plan materialize before his eyes.

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Jacket DSQUARED2, top stylist’s own, shorts BRYAN JIMÈNEZ

“I’ve worn Salomons my whole life, so to see my character and the Ferxxo green come to life on the shoe…the whole thing is crazy,” Feid says, radiating pride. “Plus, my name is Salomón. The Salomón x Salomon is legendary.” Feid is also an active runner and holds the Guinness World Record for furthest distance covered in a musical performance on stage (about six miles) — something he achieved while wearing Salomon shoes. 

I ask Feid to meditate on what the future looks like. In the immediate timeline, we’re talking more music (obviously) and hopefully more sneaker collaborations. He recently dropped Ferxxo Vol. X, an album he wrote, produced, mixed, and mastered, as he does with all his Ferxxo projects. Beyond that, he’s taking everything in stride, carrying no expectations, only deep reverence. “I’ve been on this ride a long time,” he says. “Everything takes patience, but in my mind, there’s still more to achieve.”

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He’s always creating, looking for new avenues to explore his green-tinged perspective. He loves to draw and has learned a lot from his graphic artist father’s watercolor techniques. He plays soccer. He’s not so into fashion, but he’s interested in how garments are made, where they come from, how they feel. Each of these elements serves as a potential point of entry. “When people find my music, I want people to fall in love with the projects, with the albums, with everything,” he says. 

As the day winds down, Feid and I share a perfect dap, complete with cupped palms and a ringing smack. It’s a living example of the way he tries to move through the world. “I don’t like to be treated this way because I’m this,” he says. “If I can be a human being every single minute of the day, I’m happy.” 

Shop Salomon’s new XT Pathway 2 Ferxxo at salomon.com/ferxxo-launch.

Story by: Jason Meggyesy

Barber: Andres Florez

Photographed by: Eric Johnson

Digitech: Javier Sanchez

Styled by: Talia Restrepo

Groomer: Bo

Stylist Assistant: Michelle Ball

Photo Assistants: Etienne Pelissier, Juan Hernández

Miami Production: Tiempo Studio

Executive Producer: Ivan Sikic

Production Coordinator: Alejandro Valladares

Location Manager: Jose Paez

Key PA: Marielena Zuccaro

PA: Rafael Peña, Arturo Hidalgo, Yoel Almonte

Associate Creative Director: L. Cardenas

Retouching: Monarc New York

Account Director: Jake Cochran

EP: Peter Schwab

HS+ Brand Partnerships Director: Logan Slater